ENG 225 Introduction to Film NO PLAGIARISM PLZ
As we have been discussing, the mise-en-scène of a film is the use of a variety of design elements to create the visual theme. As you prepare to write this discussion, take a few moments to do the following:
- Review the grading rubric for this discussion.
- Select a film from this list of approved choices. Note: If you would like to write about a film that is not on this list, you must email your professor for approval in advance or you may not receive credit on this discussion.
Reflect
There are many types of sound in a film. Some are diegetic (i.e., sounds that are represented as coming from within the world of the film) while others are non-diegetic (i.e., sounds that come from outside the world of the film). Your text describes the different categories of sound that fall under those types. What types of sounds, and what categories, are most effectively used in the film under consideration?
Write (due Thursday, Day 3)
Construct a discussion post of at least 200 words, and using specific examples from your chosen film,
- Describe each of the three basic categories of sound (dialogue, sound effects, and music).
- Explain how the different categories of sound are used in your chosen film.
Assess the impact of sound in establishing the theme.
How does the use of sound inform the mood of the scene, or the film, overall?
Can you identify specific sounds in your film that allow you to infer a particular genre?
Since each category of sound may produce a range of effects, how might you characterize the effects in your film? For example, realistic and expected sound effects may have a different effect on a viewer than exaggerated or unexpected ones. - Assess how the scene or sequence would play differently if you changed or removed a key category of sound.
You must use at least two outside sources, in any combination of embedded video clips, still photos, or scholarly sources. All sources should be documented in APA style as outlined by the
Ashford Writing Center (Links to an external site.)
. Please view the video
Posting in a Discussion in Canvas (Links to an external site.)
for guidance on how to integrate multimedia with your response.
Guided Response (due Monday, Day 7): Respond substantively (150 to 175 words) to at least two classmates who chose a different film than you did. In your responses, reference your initial post and show how your ideas relate to those of your peers, extending the discussion. Provide support for your position. Substantive responses use theory, research, experience, and/or examples to support ideas and elaborate on the discussion topic.
List of Approved Movies
Created by Dr. Nathan Pritts and Dr. James Meetze (2020)
Throughout this class, you will be able to select a film to use as the basis for your analysis. This is a list of approved choices.
NOTE: If you would like to write about a film that is not on this list, you must email your professor in advance. If you write about an unapproved film option in this class you may not receive credit.
Many of the films on these lists are sourced from the
Ten AFI Top 10 lists
, where you will find additional information and resources. Please note, though, that the different AFI Top 10 lists include films that are not approved.
Drama
“Drama” can be defined as a category of narrative film intended to be more serious than humorous in tone, however, drama is often qualified with additional genre-defining terms that specify its particular sub-genre.
Film |
Year |
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Imitation of Life |
1959 |
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Shadows |
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A Raisin in the Sun |
1961 |
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Guess Who’s Coming to Dinner |
1967 |
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Wanda |
1970 |
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Do the Right Thing |
1989 |
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Boyz N the Hood |
1991 |
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Daughters of the Dust |
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Mississippi Masala |
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Winter’s Bone |
2010 |
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Dear White People |
2014 |
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Chi-Raq |
2015 |
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Tangerine |
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Moonlight |
2016 |
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Beatriz at Dinner |
2017 |
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The Hate U Give |
2018 |
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Blindspotting |
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If Beale Street Could Talk |
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Clemency |
2019 |
Biographical Drama
A “biographical drama” is a film that dramatizes the life of a non-fictional or historically-based person or group of people.
Malcom X |
1992 |
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Milk |
2008 |
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Fruitvale Station |
2013 |
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Dallas Buyers Club |
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12 Years a Slave |
2013 | ||
The Wolf of Wall Street |
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Selma |
2014 |
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Hidden Figures |
2016 |
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Loving |
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BlacKkKlansman |
2018 |
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Harriet |
2019 |
Courtroom drama
AFI defines “courtroom drama” as a genre of film in which a system of justice plays a critical role in the film’s narrative.
To Kill a Mockingbird |
1962 |
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12 Angry Men |
1957 |
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Kramer vs. Kramer |
1979 |
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The Verdict |
1982 |
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A Few Good Men |
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Witness for the Prosecution |
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Anatomy of a Murder |
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In Cold Blood |
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A Cry in the Dark (Evil Angels) |
1988 |
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Judgment at Nuremberg |
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Just Mercy |
Epic
AFI defines “
epic
” as a genre of large-scale films set in a cinematic interpretation of the past.
Film
Year
Lawrence of Arabia
1962
Ben-Hur
1959
Schindler’s List
1993
Gone with the Wind
1939
Spartacus
1960
Titanic
1997
All Quiet on the Western Front
1930
Saving Private Ryan
1998
Reds
1981
The Ten Commandments
1956
Fantasy
AFI defines “
fantasy
” as a genre in which live-action characters inhabit imagined settings and/or experience situations that transcend the rules of the natural world.
The Lord of the Rings: The Fellowship of the Ring |
2001 |
It’s a Wonderful Life |
1946 |
King Kong |
1933 |
Miracle on 34th Street |
1947 |
Field of Dreams |
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Harvey |
1950 |
Groundhog Day |
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The Thief of Bagdad |
1924 |
Big |
|
Gangster
AFI defines the “
Gangster film
” as a genre that centers on organized crime or maverick criminals in a modern setting.
The Godfather |
1972 |
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Goodfellas |
1990 |
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The Godfather Part II |
1974 |
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White Heat |
1949 |
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Bonnie and Clyde |
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Scarface |
1932 |
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Pulp Fiction |
1994 |
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The Public Enemy |
1931 |
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Little Caesar |
|||
1983 |
Mystery
AFI defines “
mystery
” as a genre that revolves around the solution of a crime.
Vertigo |
1958 |
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Chinatown |
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Rear Window |
1954 |
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Laura |
1944 |
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The Third Man |
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The Maltese Falcon |
1941 |
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North by Northwest |
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Blue Velvet |
1986 |
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Dial M for Murder |
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The Usual Suspects |
1995 |
Romantic comedy
AFI defines “
romantic comedy
” as a genre in which the development of a romance leads to comic situations.
City Lights |
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Annie Hall |
1977 |
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It Happened One Night |
1934 |
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Roman Holiday |
1953 |
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The Philadelphia Story |
1940 |
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When Harry Met Sally… |
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Adam’s Rib |
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Moonstruck |
1987 |
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Harold and Maude |
1971 |
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Sleepless in Seattle |
Science fiction
AFI defines “
science fiction
” as a genre that marries a scientific or technological premise with imaginative speculation.
2001: A Space Odyssey |
1968 |
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Star Wars |
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E.T. the Extra-Terrestrial |
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A Clockwork Orange |
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The Day the Earth Stood Still |
1951 |
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Blade Runner |
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Alien |
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Terminator 2: Judgment Day |
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Invasion of the Body Snatchers |
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Back to the Future |
1985 |
Sports
AFI defines “sports” as a genre of films with protagonists who play athletics or other games of competition.
Raging Bull |
1980 |
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Rocky |
1976 |
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The Pride of the Yankees |
1942 |
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Hoosiers |
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Bull Durham |
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The Hustler |
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Caddyshack |
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Breaking Away |
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Race |
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Jerry Maguire |
1996 |
Western
AFI defines “
western
” as a genre of films set in the American West that embodies the spirit, the struggle, and the demise of the new frontier.
The Searchers |
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High Noon |
1952 |
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Shane |
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Unforgiven |
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Red River |
1948 |
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The Wild Bunch |
1969 |
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Butch Cassidy and the Sundance Kid |
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McCabe & Mrs. Miller |
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Stagecoach |
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Cat Ballou |
1965 |
Horror/Thriller
The “horror” genre includes films that seek to elicit fear for entertainment purposes.
Psycho |
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Jaws |
1975 |
The Exorcist |
1973 |
The Silence of the Lambs |
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Rosemary’s Baby |
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The Night of the Hunter |
1955 |
The Shining |
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The Babadook |
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It Follows |
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Get Out |
2017 |
Us |